Video Related

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Quick Note: Redcine-X & corrupt RCX project files

As of the current build of Redcine-X if you start a project, save it, and then later rename that project outside of Redcine it will give you an error message stating that it has been corrupted. I’ve had this happen and fortunately it’s nothing as serious as all that. It’s an annoying bug that I [...]
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HDRx on RED Scarlet: Testing Phase

So one of the more interesting features of the new RED Scarlet is its ability to shoot high dynamic range video. The feature captures two video streams simultaneously. The exposure of these two streams are linked but independent, meaning you expose one stream to capture your highlights and the [...]
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RED Scarlet-X: Our First Steps

Sequential Pictures recently acquired the bare bones package, Canon Aluminum mount version of the Scarlet-X camera from RED Cameras in California. We’ve been waiting for this camera for years and now we finally have it in our hands. We ordered in early November and just got it in Monday of this [...]
4kdigital

High Resolution Workflows – A Good Watch

Considering I’ve been having to think about some of these very issues recently, this was a really succinct and well-said presentation on high resolution workflows. If you’re an editor or a shooter this may interest you more than most.
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Colorista II – Specks, Dead Pixels, or Gunk?

I recently landed on Magic Bullet’s Colorista II plugin for Final Cut Pro 7 as I endeavor to color grade a feature film. I’m using version 1.0.1. I had an issue where when I would adjust the Primary HSL parameter I would get “dead pixels,” so to speak. It went from this:   To this:  By adjusting [...]
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FCPX – Apple’s Vision “iClouded”

This is not a review of FCPX. And that’s kind of my point here… Before FCPX was released I was ridiculously giddy with anticipation. Those who truly know me know that “giddy” is rare and reserved for truly nerdy tech. Seriously, though, … I was giddy. The initial video that surfaced about FCPX [...]
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Final Cut Pro X – All My Dreams… [maybe not]

I spend a lot of time editing. In fact, it’s where I spend most of my work time. I’ve been using Final Cut Pro since the year 2000. I’ve seen it grow bigger and bigger over the years. But, now with the soon to be released FCP X, I think I’ve not only seen a dramatic change in the user [...]
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Final Cuttin’ H.264?

Can editing in Final Cut Pro be done using H.264 encoded video? Yeah. Is it a great experience? Uh, no. I’ve had projects handed to me that were shot using DSLRs, so it came complete with tons of H.264 footage. I’ve purposefully ingested the H.264 footage on a couple simpler projects to see if [...]
film

Ill Continuity

Having an eye to catch continuity errors in films can be a treat or it can be a curse. An editor’s job can be tough; trying to make events that happened independently of each other feel natural, continuous, or at least fall under our threshold of perceptibility. It can be a tough gig. Continuity [...]
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Two Guys, One Cam

So, if you care about camera technology, period, you then obviously have heard of RED cameras. I’ve been eager to take a look at any of these cameras for quite some time. The opportunity to have hands on experience interested me greatly, so when a good friend called and said, “We have a RED for a [...]
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